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A PLAIN-ENGLISH GUIDE TO RELIEF PRINTING

Carve it, ink it,
press it.

The oldest way to print a picture is also one of the simplest.

Hands rolling dark blue ink with a rubber roller across a carved lino block on a wooden workbench
AI-generated image, not a photograph of a real person or place.

RELIEF the raised part prints

up to 8,000 Impressions experts believe were printed

In relief printing you cut away the background so the image stands up from the block. The raised surface is inked, paper goes on top, and pressure transfers the image. Woodcuts, wood engravings and linocuts all work this way.

THE SHORT ANSWER

Same idea,
three different blocks.

What changes is the block,
and how it lets you cut.

WOODCUT

Cut along the grain

A woodcut is carved from a block cut along the grain. Europe used woodblock printing from the twelfth century, first for textiles, with images on paper by the late fourteenth.

Compare the blocks

LINOCUT

No grain at all

Linoleum, invented as a floor covering, is soft and has no grain, so it can be cut in any direction. It became popular with artists and amateurs in the twentieth century.

Try one

EDITIONS

Thousands from one design

Experts believe up to 8,000 impressions of Hokusai's Great Wave were printed in Japan from carved woodblocks in the 1830s.

See the numbers

WHICH BLOCK?

How hard is
the block to cut?

Pick a relief method. The value names the block, and the bar shows how hard it is to cut, from soft linoleum to very hard boxwood end grain.

Relief method

Choose a method
LinocutLinoleum, usually on wood

A thin layer of linoleum, canvas coated with solidified linseed oil, cuts away more easily than wood and in any direction. Its slightly textured surface takes ink evenly.

WoodcutPlank cut along the grain

The block is carved so the image stands out in relief. It can be printed in a press, or by hand, as Japanese ukiyo-e printers did.

Wood engravingBoxwood end grain

Usually done on the end grain of very hard boxwood, so extremely fine detail is possible. The line is cut into the block rather than left standing.

Sources: Tate, Art terms: Linocut, Woodcut and Wood engraving.

Descriptions from Tate's glossary of art terms.

THE PROCESS, STEP BY STEP

From block
to print.

Every relief print follows the same four steps, whichever block you choose. Lino is the usual starting point because it is soft and has no grain.

A sheet of paper being peeled back from an inked block to reveal a bold blue print of a breaking wave
AI-generated image, not a photograph of a real person or place.
  1. Choose a block

    Lino cuts easily in any direction; wood is cut along the grain; hard boxwood end grain allows the finest lines.

  2. Cut away the background

    Remove everything you do not want to print, so the image is left standing as a raised surface.

  3. Ink the raised surface

    Only the top of the block takes ink. Lino's slightly textured surface accepts ink evenly.

  4. Press, by machine or hand

    Lay paper on the inked block and apply pressure, in a press or by hand, the way Japanese ukiyo-e prints were made.

TWO NUMBERS WORTH KNOWING

One famous wave,
many blocks.

From a British Museum study
of 111 surviving impressions.

up to 8,000

Impressions experts believe were printed

Print runs were rarely recorded, but publishers are estimated to have needed to sell at least 2,000 impressions of a design to make a profit.

THE GREAT WAVE · BRITISH MUSEUM

7 blocks

Separate woodblocks used, at least

Comparing 111 original impressions showed at least seven woodblocks were used for the early printings, most likely carved on both sides of four physical blocks. None of the original blocks survive.

THE GREAT WAVE · BRITISH MUSEUM

Very popular designs went further still: Hiroshige's Fifty-three Stations of the Tōkaidō is thought to have been printed between 12,000 and 15,000 times.

A SHORT HISTORY

From textiles
to newspapers.

Woodblock printing was used in Europe from the twelfth century, at first for textiles. In the nineteenth century, wood engraving became widely used to reproduce pictures in books, newspapers and journals, until photo-mechanical methods replaced it.

Blocks wear out. The British Museum study of the Great Wave traced small breaks and damage that appear in later impressions, and found signs of retouching by hand on 16 of the 111 impressions it located.

A carved wooden printing block beside a set of wood-handled gouges on a workbench, wood shavings scattered around
AI-generated image, not a photograph of a real person or place.

Questions

Questions people ask

What is relief printing?

A way of printing in which the image stands up from the block. The background is cut away, the raised surface is inked, and paper is pressed against it.

What is the difference between a woodcut and a wood engraving?

Tate explains that a woodcut is cut along the grain with the background cut away, while a wood engraving is usually made on the hard end grain of boxwood, with the line cut into the block, allowing extremely fine detail.

Why do beginners use lino?

Linoleum is soft, has no grain, and can be cut in any direction, more easily than wood. Its slightly textured surface also takes ink evenly.

Do you need a printing press?

No. Tate notes that woodcuts can be printed without a press by placing the inked block against paper and applying pressure by hand, as with Japanese ukiyo-e prints.

How many copies of the Great Wave exist?

Experts believe up to 8,000 impressions were made. A British Museum study gathered photographs of 111 original impressions from museums, galleries, auctions, dealers and books.

Where the facts come from

Updated

  1. Tate: Art term, Woodcut
  2. Tate: Art term, Linocut
  3. Tate: Art term, Wood engraving
  4. British Museum: Korenberg, The making and evolution of Hokusai's Great Wave

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